Image – Tincleton Gallery

Consuelo Child-Villiers

Consuelo Child-Villiers was born in 1953 in the UK to an English Father and Italian/Spanish Mother.

Consuelo lived between the UK and Italy throughout her childhood. Her Father moved to Jersey C.I. when Consuelo was a child . She was educated in the U.K. and spent holidays in Jersey and Italy.

Consuelo trained at the Accademia di Belle Arti in Florence Italy, where she studied sculpture. After spending a year travelling through India she returned to the Accademia and studied painting, followed by a year studying Modern Art at Forte studios in Florence.

Consuelo studied History of Art at Christies Fine Arts in London.

Her work has been acquired by various private collectors throughout Europe and the US and by corporations such as Debeers. Consuelo has exhibited her work extensively in London, New York, Italy and the South of France.

After twelve years in the South of France Consuelo now lives and works in London.

‘’…..bold line creates a strong geometry of often unlikely juxtapositions, the effect is to produce a powerful design element which both reinforces and constrains the content.
Thus, though she chooses to investigate a magical dream-like world, there is nothing mellow or whimsical in Consuelo’s style.”

Galleries Magazine

…..a vividness of colour, including dreams of a planetary sky, nature in all her luxuriance, feminine sensuousness and creature wilderness.
Then, with unexpected references to the mythological, an attraction for masks, for flora and movement, one is in the company of Matisse and up on the wings of Chagall.

Marie-Pierre Paulicevich
Nice Matin

Consuelo Child-Villiers returns to Mayfair this month ….with paintings which inhabit a magical world of mystery and imagination….fantasy animals, mysterious masked figures and fluid shapes recalling the Viennese Secessionists…there’s a hint of the Renaissance in the rich ,vivid colours and decorative detail of clothing and fabrics…

Arts/TMFB

website: www.consuelochildvilliers.com

Necklace in Gold - oil and gold leaf on canvas - Consuelo Child-Villiers — Necklace in Gold – oil and gold leaf on canvas – Consuelo Child-Villiers

Winged Panther by Consuelo Child-Villiers

Lion - oil on canvas - Consuelo Child-Villiers — Lion – oil on canvas – Consuelo Child-Villiers

Grain - oil on canvas - Consuelo Child-Villiers — Grain – oil on canvas – Consuelo Child-Villiers

Gabriel - oil on canvas by Consuelo Child-Villiers — Gabriel – oil on canvas by Consuelo Child-Villiers

Bouquet - oil on canvas - Consuelo Child-Villiers — Bouquet – oil on canvas – Consuelo Child-Villiers

Acrobat - oil, collage, mixed media on gesso - Consuelo Child-Villiers — Acrobat – oil, collage, mixed media on gesso – Consuelo Child-Villiers

2023 – concert diary

Tincleton Gallery – 2023 – Concert programme

Unless noted otherwise typically the same programme is played on both the Friday and the Saturday night.

17+18 Feb 2023 : Giovanni Lonati; classical piano
Fri 17 Mar 2023 : Mike Denham; jazz solo piano
Sat 18 Mar 2023 : Mike Denham (piano) with Trevor Whiting (clarinet, sax)
21+22 Apr 2023 : Ronan Magill; classical piano
19+20 May 2023 : Philip Clouts (jazz piano) & Ron Phelan (bass)
23+24 Jun 2023 : Melissa Phelps & Caroline Palmer; classical cello & piano

=== Summer break ===

15+16 Sep 2023 : Milly Riquelme; Cuban, classical, and jazz piano & voice
13+14 Oct 2023 : Gilda Cruz; classical piano
10+11 Nov 2023 : John Law, Jon Lloyd, piano and saxophone; European contemporary jazz
15+16 Dec 2023 : Duncan Honeybourne; classical piano

=== Winter break ===

– Tickets £15 each.

– All concerts start playing at 8pm. Please arrive after 7:30pm.

– Pre booking and prepayment only. Each party of guests must give a contact.

– We will give refunds if we need to cancel the concert for whatever reason. We will not refund if you need to cancel as that would disadvantage the musician(s), unless we can resell your seat.

– You must respect any Covid social distancing measures, which will in turn comply with Government requirements. At present there are none.

– As usual price includes drinks & nibbles which are served in the interval, but exactly what, how and where depend on our discretion & weather.

Jane Chapman

Jane Chapman – “I studied illustration at Brighton University a long, long time ago, but now I live in a tiny village in Dorset. I illustrate children’s books, and write them when I can think of a story.

Writing is more difficult than painting, but painting takes longer to do. I used to draw pictures sometimes under the pseudonym, Jack Tickle, but these days I am just Jane Chapman all the time.

I have illustrated over a hundred books, and am celebrating 25 years in Children’s Books – hooray! It is such a pleasure to see books become real. I sometimes have to pinch myself that a story can start in my brain and become an actual thing that people want to read.”

Generally this means we do not have a great deal of Jane’s work to show, but when she does do non-illustrative work it is fantastic and a pleasure to hang. Unfortunately for us she is normally busy working to publisher deadlines on commissions.

Gorilla and baby on shoulder, by Jane Chapman

Johannes von Stumm

Johannes von Stumm is an internationally established sculptor living and working in Oxfordshire.

Johannes von Stumm’s combination of very different materials has attracted public and critical acclaim over decades. His sculpture joins metal, stone and glass to create abstract or reduced figurative works in which apparently conflicting materials exist in complex harmony.

Von Stumm’s choice of media and instinct for experimentation is rooted in his background, in a childhood spent at the foot of the Alps with long winters, ice and rocks. His love of steel and glass is intertwined with his family history: ancestors on his father’s side were blacksmiths and steel factory owners for 250 years, his mother’s ancestors owned a glass factory in Bohemia. He initially studied law in Munich and then turned towards art, first in Munich, then more widely in Germany, London, New York before settling in Oxfordshire.

Amongst many honours he is a past President of the Royal British Society of Sculptors.

“Johannes von Stumm’s unique combination of three different materials has attracted public and critical acclaim in a decade of successful exhibitions, both in the UK and abroad. His startlingly original sculpture, which engages continually with risk and a defiance of accepted laws, joins iron, granite and glass to create abstract or reduced figurative works in which apparently conflicting materials exist in complex harmony.” – by Nicola Upson

2022 – concert diary

2022 Concert Series – Provided Covid-19 regulations permit – Seating may be limited so please book early.

== Winter break ==

Fri 18 & Sat 19 Feb 2022 : classical with Angela Brownridge (piano)
Fri 18 & Sat 19 Mar 2022 : jazz with Mike Denham (piano)
Fri 22 & Sat 23 Apr 2022 : classical with Giovanni Lonati (piano) travelling from Rome
Fri 20 & Sat 21 May 2022 : jazz with Philip Clouts (piano)
Fri 17 & Sat 18 June 2022 : classical with Katharine Lam (piano) coming down from the Birmingham Conservatoire, solo

== Summer break ==

Fri 16 & Sat 17 Sep 2022 : jazz David Gordon (piano)
Fri 21 & Sat 22 Oct 2022 : classical with Rosemary Tuck (piano) with exciting stuff we gather
Fri 18 & Sat 19 Nov 2022 : jazz with John Law (piano)
Fri 9 & Sat 10 Dec 2022 : classical with Duncan Honeybourne (piano) solo

===============

Special terms : due to Covid-19 will apply, approximately as follows, though we reserve the right to update them:

– Pre booking and prepayment only. All guests must give contact etc details.

– Seating will be allocated by us in advance. We will flex exact mix depending on demand and any constraints. Ask quickly if you have a larger party.

– We will give refunds if we need to cancel the concert for whatever reason. We will not refund if you need to cancel as that would disadvantage the musician(s), unless we can resell your seat.

– You must respect our Covid social distancing requirements, which will in turn comply with Government requirements. For the time being this means that no particular restrictions are anticipated unless Covid restrictions are reintroduced by Government.

– As usual drinks & nibbles will be served, but exactly how and where will depend on the weather.

– All concerts start playing at 8pm. Please arrive after 7:30pm.

– Tickets £15 each.

– To order tickets please email Tincleton Gallery or call Tincleton Gallery on 01305 848909

Autumn 2021 – concert diary

Autumn 2021 Concert Series – Provided Covid-19 regulations permit – Seating may be limited so please book early.

Fri 3 & Sat 4 Sep : Melissa Phelps (cello) & Caroline Palmer (piano)
Fri 17 & Sat 18 September : jazz with Philip Clouts (piano) & Ron Phelan (bass)
Fri 15 & Sat 16 October : classical with Ronan Magill (piano)
Fri 19 & Sat 20 November : John Law for jazz piano
Fri 10 & Sat 11 December : Duncan Honeybourne & Katharine Lam for a classical piano duo

Special terms : due to Covid-19 will apply, approximately as follows, though we reserve the right to update them:

– Pre booking and prepayment only. All guests must give contact etc details.

– Seating will be allocated by us in advance. We will flex exact mix depending on demand and any constraints. Ask quickly if you have a larger party.

– We will give refunds if we need to cancel the concert for whatever reason. We will not refund if you need to cancel as that would disadvantage the musician(s), unless we can resell your seat.

– As usual drinks & nibbles will be served, but exactly how and where will depend on the weather.

– All concerts start playing at 8pm. Please arrive after 7:30pm.

– Tickets £15 each.

– To order tickets please email Tincleton Gallery or call Tincleton Gallery on 01305 848909

Mary Gillett

My starting points are often found on Dartmoor and the north Cornwall coastline. My images are contemplations on how our surroundings can reflect our histories, moods and thoughts. I specialise in etching, a medium that has been developed by artists for its own intrinsic qualities and is now often used to produce single images as individual as paintings.

My etchings almost look as if they have been eroded by the elements themselves. The metal plates have been scored, furrowed, scraped, burnished, re-scored and re-furrowed until their history is symbolic of the very subject confronting me. This tactile immediacy is of the essence and combines with the use of light and dark to create images of intense atmosphere. I sometimes apply etching principles to the medium of collagraph so that I can work on a larger scale to reflect my love of painting which continues to influence everything I do.

As a member of the South West Academy, the Plymouth Society of Artists and the 21 Group of Artists, I exhibit widely at key venues in the west country. I have been selected on many occasions to show work at the Royal West of England Academy and the National Print Shows at the Bankside Gallery, London.

Born in 1953 I moved to Devon with my parents in 1956. I left home to study art in 1975 and by 1984 had achieved an honours degree in Fine Art at the University of the West of England, and a PGCE and postgraduate diploma in Printmaking at Brighton University before moving back to Devon in 1988.

I have over 25 years’ experience of teaching printmaking having founded Tamar Print Workshop in 1992. I offer courses exploring a range of techniques and the studio, set in a beautiful position on the edge of Dartmoor, has become a vibrant hub for numerous local artists and printmakers. I enjoy the continuous exchange of ideas generated from this atmosphere and see my teaching as integral to my overall practice.

Sarah Moore

Stone is the material I have fallen in love with, however I enjoy using many other materials as well. There is something magical about hitting a piece of stone which is millions of years old with a hammer and chisel and finding the form you are looking for within it.

Sometimes the stone dictates what it wants to be and sometimes it is the other way round and it is me who dictates what I want from the stone.
All my work is carved by hand, I like to “feel my way” around the stone as I work.

The majority of my work is based on the human form, sometimes representational often abstract. I want to evoke a feeling of empathy or bonding with my sculpture, I want to convey emotions. My interest in the body stems from my early career as a radiographer, I am fascinated by the way shapes can blend seamlessly into one-another and sometimes end up with a form which is totally unexpected.

The tactile quality of a piece of work is important to me, I like my work to felt physically as well as emotionally.

I teach stone carving and wood carving as well as painting and mosaics. My passion lies with the materials themselves, how they relate and how an image can be coaxed out of them.

Please click on a thumbnail to launch a slide show of larger images

Colin Moore

Colin Moore was born on the Clyde Coast of Scotland in 1949. He studied architecture in Glasgow, and following an international career in architecture and design, has worked mainly as a painter and printmaker since 2004. He has lived in Spain, Venezuela and London and currently lives in Dorset, England.

His book,”Propaganda Prints, art in the service of social and political change”, was published by Bloomsbury in August of 2010.

Household cavalry at Holkham, Colin Moore

Summer Sunrise by Colin Moore — Summer Sunrise (Colin Moore)

Ruth Ander

I am an artist and printmaker living in the South West of England. Water, light and vapour are the three elements that inspire my work.

My technique is perfectly suited to expressing these inspirations-delicate, translucent drifts of colour on fine tissue paper and traditional hand-made Japanese paper. Painted prints or printed paintings- the results are multi-layered impressions.

The prints are made by rolling ink onto a piece of glass or plastic, then taking an impression by hand. In this way layers of colour and texture are built up. Some layers are so delicate they appear breathed onto the paper, the finished effect of texture and translucency being something between an old Italian fresco, an English landscape painting and a Japanese woodblock print.